• News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

Dan Rebellato

  • News
  • Spilled Ink
  • Plays
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact
Frances Grey, Sam West and David Carr in Emile Zola: Blood Sex and Money 3.1: Crash

Frances Grey, Sam West and David Carr in Emile Zola: Blood Sex and Money 3.1: Crash

Zola Rising

Frances Grey, Sam West and David Carr in Emile Zola: Blood Sex and Money 3.1: Crash

Frances Grey, Sam West and David Carr in Emile Zola: Blood Sex and Money 3.1: Crash

The third season of Emile Zola: Blood, Sex & Money, our epic adaptation of Zola’s 20 ‘Rougon-Macquart’ novels is being repeated on Radio 4 next month:

Saturday, 9 October, 3pm: Crash (based on Money)
Sunday, 10 October 3pm: Massacre
Monday, 11 October 2.15pm: Trapped (based on Germinal)
Tuesday, 12 October 2.15pm: Swindle (based on The Bright Side of Life)

Monday, 18 October 2.15pm: Inheritance
Tuesday, 19 October 2.15: Reap (based on The Earth)
Wednesday, 20 October 2.15: Fate (telling the prelude to the Franco-Prussian War through characters from the saga)

Saturday, 23 October 2.45pm: Apocalypse (based on Earth)
Sunday, 24 October 3pm: Ghosts (based on Doctor Pascal)

I wrote the first and last episodes. I like them all but I really love Inheritance and Reap written by Lavinia Murray and Fate is fascinating, in which Olly Emanuel basically adapted a non-existent Zola novel. I’m also very proud of both my scripts but I particularly commend Crash to you.

This was a complicated season because there is a season arc that involves the narrator, Aunt Dide (played by Glenda Jackson), who is almost entirely non responsive in the books but is the all-observing, constantly-commenting figure in our adaptation. In the books she also dies halfway through Dr Pascal, but in ours she is sprung from the madhouse by the eponymous doctor and plays a significant role in the final episode. It took quite a while to get agreement about that arc for various annoying reasons. Making the revised plot work this had to be sorted out in about six weeks rather than the usual twelve months. I’m pleased with the result, happily, and it makes a satisfying end to the whole saga.

September 7, 2021 by Dan Rebellato.
  • September 7, 2021
  • Dan Rebellato
Newer
Older

Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

If so, you’ve come to the right place. Feel free to get in touch.

  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

image.jpg
0014-hwid-full.jpg
photo[1].jpg
shapeimage_1.png

twitter