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Dan Rebellato

  • News
  • Spilled Ink
  • Plays
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact
Kate O'Flynn and Lesley Sharp in A Taste of Honey at the National Theatre. Photo: Marc Brenner.

Kate O'Flynn and Lesley Sharp in A Taste of Honey at the National Theatre. Photo: Marc Brenner.

A Taste of Honey Panel

Kate O'Flynn and Lesley Sharp in A Taste of Honey at the National Theatre. Photo: Marc Brenner.

Kate O'Flynn and Lesley Sharp in A Taste of Honey at the National Theatre. Photo: Marc Brenner.

I'm chairing a panel about the National Theatre's current production of Shelagh Delaney's A Taste of Honey. I'll be talking to the director and designer of the production, Bijan Sheibani and Hildegard Bechtler. I've interviewed Bijan before, about Our Class and The Kitchen. I've not met Hildegard before, though I've adored her sets for years...

This is a superb production, by the way, an extraordinary revelation, even if you think (as I did) that you know the play really well. The performances by Lesley Sharp and Kate O'Flynn are simply out of this world. Rich, funny, complex, sad, and wise. The rhythm and shifts of tone are astonishing and the set is just a whirl of movement and life. I can't wait to talk to them about it.

It's on 20 February 2014 at 6.00 in the Lyttelton.

February 18, 2014 by Dan Rebellato.
  • February 18, 2014
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

If so, you’ve come to the right place. Feel free to get in touch.

  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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