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Dan Rebellato

  • News
  • Spilled Ink
  • Plays
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
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    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
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Letter to The Stage

I'm co-signatory to a letter in The Stage refuting Simon Tait's article, which responds to the Tricycle Theatre's offer to replace the Israeli government's funding of the Jewish Film Festival by falsely claiming that the Tricycle cancelled the Festival and declaring that artists should not make non-artistic decisions. 

The letter is also signed by Caryl Churchill, Dominic Cooke, April de Angelis, David Lan, Elyse Dodgson, Aleks Sierz, Tanika Gupta, David Greig, Stephen Jeffreys, Carl Miller, and Laura Wade. It insists on the importance of artists making a stand against Israel, particularly given the asymmetrical war it has just waged against Gaza. It notes the extraordinary pressure placed on the Tricycle's artistic director, Indu Rubasingham, by members of our government. It also notes that we cannot separate ourselves so easily from the violations of human rights.

I'm not one for blanket boycotts. I have been asked several times to join the academic boycott against Israel and I've always refused, because I know some important voices against the illegal actions of Israel are in the universities and their position is embattled enough within their country. 

But the situation with the Tricycle is that a theatre wanted to host a film festival and at a time when one of the sponsors of that Festival was directly engaged in a murderous assault on its enemies, it found a solution which would be to offer to replace Israel's funding with its own money. This has been deliberately interpreted in the worst possible way and Rubasingham has been forced to back down. It's a matter of artistic and political freedom which is why I have signed.

September 14, 2014 by Dan Rebellato.
  • September 14, 2014
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

If so, you’ve come to the right place. Feel free to get in touch.

  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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