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Dan Rebellato

  • News
  • Spilled Ink
  • Plays
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact
Posh by Laura Wade (Royal Court Theatre at the Duke of York's, 2012), 

Posh by Laura Wade (Royal Court Theatre at the Duke of York's, 2012), 

Theatre & Class

Posh by Laura Wade (Royal Court Theatre at the Duke of York's, 2012), 

Posh by Laura Wade (Royal Court Theatre at the Duke of York's, 2012), 

I recently worked with the director Chris Haydon, supervising a piece of research he carried out as part of his Clore Fellowship. He was interested in the problem of class in British theatre; the exclusion of working class audiences and the privileging of the middle class.

Chris worked through a mixture of reading and interviews, conducting some site visits to some really innovative theatres across England and Wales. The report is excellent, I think, and makes a series of really strong and powerful recommendations for making theatres more inclusive, welcoming places that speak to working-class audiences in a way they mostly don't do now.

The final report is called Where are the Workers? An investigation into the class diversity of British theatre audiences and you can read it on the Clore website:

  • Where are the workers?

If you have the attention span of a mollusc and can't read the full thing, you absolute shower of a person, he's written a much shorter piece for The Stage about the same thing.

  • The Stage.

June 28, 2018 by Dan Rebellato.
  • June 28, 2018
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

If so, you’ve come to the right place. Feel free to get in touch.

  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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