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Dan Rebellato

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red bud.jpg

Red Bud

red bud.jpg

The Court’s latest opening is Red Bud by Brett Neveu. Well, actually, it hasn’t opened; I saw the first preview.

Red Bud is a Motocross rally in Southern Michigan to which four friends have been coming since high school. They drink, they build fires, they eat, they smoke weed, they listen to loud music, they generally hang out like teenagers do. Except they’re not teenagers any more. Greg’s wife, Jen, is pregnant; Bill’s got a very young new girlfriend, Jana; everyone is older, slower, more receding. As the group assembles, perhaps pushed to it by the foxy presence of the young and irresponsible Jana, they becomes drunker, stupider and more stoned than before. Their games becomes violent and competitive. Greg and Jen have an almighty, humiliating falling-out and the boys really start to harm each other, let by the wild aggression of Greg. Eventually, the latter reveals a death wish, reporting in fond terms a near-fatal accident at work. He produces a knife but somehow doesn’t cut his own throat. Jana flees in horror.

It’s a Lord of the Flies play (vaguely similar are the more English and middle-class examples, Neville’s Island and Way Upstream), in which a group of people go away from the urban world and ‘revert’ to savagery. In that sense, it’s not a very original play. In the first half, the fun of the guys assembling, the amiable idiocy of some of them, the subtle and not-so-subtle competing to look good in front of Jana, this is all quite well observed.

The second half is a problem for me, because the descent into savagery is so quick and pretty unmotivated. It’s a play in real time, taking around 70 minutes to go from setting up tents to the brink of murder and suicide. Obviously the constant drinking helps, but even so, it felt to me that Greg’s death wish, which remains mysterious in its source, wasn’t enough. I filled in something about his anxiety about his marriage or the imminent birth of his child (there are some spiteful words aimed at the unborn kid), but I also had the nagging feeling that things were being thrown wildly and randomly at the play to force it up a gear.

Great production though. Real turf, a big pick-up truck in the corner (which provided the lighting for the last third), and a terrific ensemble.

October 22, 2010 by Dan Rebellato.
  • October 22, 2010
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

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  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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