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Dan Rebellato

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    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
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    • Mile End
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    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
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    • Sarah Kane Documentary
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day after tomorrow.jpg

The Metereological Sublime

day after tomorrow.jpg

Snow always delights. Why should it delight? The holiday season perhaps comes in part from the travails of rural life when the cold weather would force people indoors to eat the birds that wouldn’t survive the winter. They transformed hardship and suffering into delight. But snow continues to delight us in the cities.

Perhaps it’s a version of the sublime. Kant says the experience of a vast rolling ocean is both terrifying and pleasurable because first we feel our physical insignificance and then are reminded of our metaphysical freedom.

Snow delights by sublimely transforming the cityscape. We are reminded of the awesome power of nature. Even London, even one of the greatest, largest, most enduring cities of the world can be blanketed in snow. We can be interrupted, convulsed as a city. We change our lives for a time: we calculate journeys differently, each turn of the road reveals a landscape made unrecognisable, the light is suddenly strange. Our bodies, our very bodies are contorted as we plant our feet differently, feeling unfamiliar strains as our legs tense to stay upright.

But the city renders snow pleasurably sublime because snow, finally, can be incorporated into the city as decoration.

​

December 21, 2010 by Dan Rebellato.
  • December 21, 2010
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

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  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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