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Dan Rebellato

  • News
  • Spilled Ink
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    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
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    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
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Oh, of course

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I have passed over the Rubicon. I have crossed the floor. Depending on your own allegiances, I have seen the light or I have joined the dark side. I own, not before time, a Mac.

This has been a very long time coming. Indeed, a couple of my friends that I’ve mentioned my new Mac to (who am I kidding? I’ve told everybody) have been surprised I don’t have one already. It’s true that a lot of people in theatre have them. I guess this is because of the look - beautiful - and the operating system - intuitive - and the reliability - high.

It’s quite a big deal for me. I got my first PC in 1990, a Packard Bell desktop which, despite the legendary reputation of that company, was certainly the most reliable computer I’ve ever owned. I had it for around five years until I could no longer run new software. Even so, as I passed it onto the computer technician for scrap, he mused, ‘no it’s not very up-to-date but it is still many times more powerful than the computer that powered the Moon landing’.

My mum always worked in computers and often brought computers home. I word-processed our school annual (orange flickering letters on a black screen, the monitor moulded into a single unit that contained the hard drive and keyboard - man, it was futuristic). I also had a typewriter in my room so have always typed and I think at the speed I type, not the speed I write, with the result that I’ve never written anything substantial in longhand.

As a result when I got my PC in 1990, I was a quick study. I learned WordPerfect - for which I still have fondness but no longer the will to keep up with - and became expert in pretty much everything it did. In fact, that was pretty much all I used the computer for; a Word Processor and filing system. On subsequent computers and laptops (I think my MacBook Pro one is something like my eighth regular computer?) I branched into Excel, PowerPoint and of course email. The internet arrived in the mid 90s and games and graphics in the late 90s. I use my computer all day every day, pretty much. I write on it, I learn on it, I listen to radio and watch TV on it, I communicate on it, I shop on it. When I don’t shop on it, I have been known to write shopping lists on it.

So I’m very learned-intuitive with Windows and MS Office. I have found my computer annoying but those bits of software seem fine to me. I know where everything goes and how to do whatever I want. I expected the step into the MacWorld to be a wrench regardless of what everyone said.

But what I’m finding is that each time I discover the new way of doing something familiar, my instinctive reaction is ‘oh of course’. Almost everything in the Mac that’s new to me feels like somehow I knew it already. How do you put pictures into a single event in iPhoto? You drag one on top of another. Oh of course. How do you add a photo in iWeb? Just drag it onto the placeholder and it automatically fits. Oh of course. How do you scroll down in Safari. You stroke the trackpad downward with two fingers, sensuously beckoning the rest of the page. Oh of course, of course.

I’m stunned to find myself adjusting to quickly and enthusiastically to the new machine. I knew I’d love it; I knew I’d find it beautiful. I’d technoperved over Mac products before and I still regard my first-generation iPhone one of the loveliest things I have ever seen. And some of the way I found myself ‘naturally’ pinching in, swiping from side to side, pushing and prodding the screen around prepared me for the step over to Mac. It does seem to be a machine designed for kinetic learners, for people who enjoy a sensuous interaction with the world.

Oh and for what it’s worth it’s a 17” MacBook Pro, with a 2.53GHz Core i5 processor, 8GB 1066MHz memory, and a 500GB hard disk. It’s lovely.

​

June 1, 2010 by Dan Rebellato.
  • June 1, 2010
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

If so, you’ve come to the right place. Feel free to get in touch.

  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Killer
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Stage Directions
  • Wilding Audio
  • Links
  • About
  • Contact

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