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Dan Rebellato

  • News
  • Spilled Ink
  • Plays
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Plum in Prison
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
  • Books, etc.
    • Complete List of Publications
    • 1956 and All That
    • British Theatre Reports
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Playreading & Dramaturgy
  • Links
  • About
  • Contact

Christopher Eccleston

Last Thursday, I interviewed the amazing Christopher Eccleston in the Caryl Churchill Theatre of the Department and Drama and Theatre at Royal Holloway, University of London.

It was a real honour. I was, I’ll admit, a bit nervous; he’s a star and I’m slightly in awe of him, but I was asked to do it and of course I wanted to. To prepare, I read his autobiography, I Love the Bones of You (2019), which is a very unusual memoir, deeply immersed in thinking about family, class, masculinity, being from the north, mental health and, yes, acting: I was rather blown away by it. It has exactly the kind of non-self-indulgent truthfulness that I associate with Chris’s acting. It’s a really rather profound piece of work and I was very moved by it.

And Chris was a joy. He was full of humour and mischief but with an uncompromising seriousness about acting and life behind it all. I was so delighted to speak with him and I think our students got a huge amount out of his presence. It was a very generous thing of Chris to come and talk to us and I hope we have him back soon.

And I was very restrained. I only mentioned Doctor Who once.

June 1, 2026 by Dan Rebellato.
  • June 1, 2026
  • Dan Rebellato
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Dan Rebellato

playwright, teacher, academic

 

You may be here because you’ve come across a book, or play, or article of mine and you want to know more. Maybe you’re a student or a colleague or a friend or an acquaintance and you want to find out more about me. Maybe you are gathering ammunition for a vicious ad hominem attack that will expose me for the charlatan that I am.  

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  • News
  • Spilled Ink
    • Complete List of Plays
    • 7 Ghosts
    • Cavalry
    • Chekhov in Hell
    • Dead Souls
    • Emily Rising
    • Here's What I Did With My Body One Day
    • Mile End
    • Negative Signs of Progress
    • My Life Is a Series of People Saying Goodbye
    • Plum in Prison
    • Restless Dreams
    • Slow Air
    • Slow Beasts
    • Static
    • Theatremorphosis
    • You & Me
    • Zola: Blood, Sex & Money
    • Complete List of Publications
    • 1956 and All That
    • British Theatre Reports
    • Cambridge Companion to British Theatre since 1945
    • Contemporary European Playwrights
    • Contemporary European Theatre Directors
    • Modern British Playwriting 2000-2009
    • No Theatre Guild Attraction Are We
    • On Churchill's Influences
    • Paris Commune
    • Playwriting
    • Sarah Kane before Blasted
    • Sarah Kane Documentary
    • The Suspect Culture Book
    • Theatre &
    • Theatre & Globalization
    • When We Talk of Horses
    • Writ Large
  • Playreading & Dramaturgy
  • Links
  • About
  • Contact

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